My membership to the Los Angeles Printmaking Society was denied in June due to technical difficulties on my part. The group reviews submitted woodcut and linocut images twice a year. I was invited to submit new images next time round. Honestly, it was not what I had hoped for. It told me there was more work, more tries on my part, more experience that I needed to gain. It was not going to be handed over easily. Then, today, my two entries toward the 75th SWE (Society of Wood Engraving) Exhibition were not accepted. My work will be returned by post. Two friends had encouraged me to submit work. One did not need to be a member of the society to enter. Here, there was an expensive postage involved to get it there. This is a disappointment. I had better hopes for this as well. What will I say about this? joys have come inspite of this news.
My wife and I just returned from a wonderful road trip. At one point we were ready to cut the trip short just to sleep in the comfort of our own bed. We were pulling into the city Omaha when we asked Jesus for lodging with an outdoor swimming pool. We had no idea that the city was full of out of state visitors for the Olympic swim trials. We were directed to an Econolodge motel on west Dodge Street. It had an small outdoor pool. I found out the next morning that both of us had a comfortable sleep. We stayed another day, enjoyed the cool water, and did our water aerobic exercises. Later, we found an outdoor pool in St. Joseph, Missouri and stayed a night there, to swim in the heat of the day, and have great rest before returning to Carrollton.
Joy came through putting puzzles together at the Legacy Terrace community in Lincoln, where my mother lives. The joy of eating a new food for me at a hispanic restaurant: shrimp. Yes, at 56 years of age, I just now discovered I like the taste and texture of shrimp. The joy of meeting my mother's friends. The joy of browsing through my mother's college scrapbook entries. Getting teary-eyed looking at her first baby announcement cards, that baby being ME. The love expressed by my father to my mother Dorris in early letters and postcards. Realizing the deep faith in Jesus that both my parents had.
Joy from hearing Bob Popek tell two stories. How his workshops opened school children to the world of musical instruments. And, the time his son became a software engineer for Microsoft. The delight of meeting the parents of a student I knew at while at the University of Nebraska. The father of Carolyn Van Meter sat beside me at the Nelson family reunion luncheon table at the city park, Tarkio, Missouri. The gal I married had a distant relative connection to someone I went to school with from Guthrie Center, Iowa. Wow. What a surprise.
The joy of meandering off the usual route. We heard about the bird club being formed in Wahoo, gazed at the wide sandy Platte river, cruised around Leshara, and appreciated iced water and the air-conditioner.
Our membership at the Nelson Adkins Museum in Kansas City gave us free admission to the Joslyn Art Museum in Omaha. The joy of seeing new works of art and being out of the 100 degree heat. Having a new puzzle to assemble, a Story City landscape painting by Grant Wood.
The movies we share, the food we enjoy, the way we compliment each other, the joy Jesus brought to us, how he packed five days full of good memories. Paul of Antioch said to rejoice in all things and give thanks to God. Jesus makes it possible for me to be OK with that. He leads me forward.
Showing posts with label bob popek. Show all posts
Showing posts with label bob popek. Show all posts
Sunday, July 1, 2012
Friday, January 13, 2012
free spirit
In the new year 2012, I have been enjoying music by the tUnE-yArDs.
Watch video of You Yes You, four minutes (above).
More works by Merill Garbus, click HERE
More about her, click HERE
http://www.tune-yards.com/
Watching her sing on stage reminds me of my second year in college.
Being an art student I put together and pulled off a few "free spirited events."
The year was 1975. I was enrolled in the Centennial Educational Program, while at the University of Nebraska, in Lincoln.
One Saturday morning I staged an impromtu happening in the Nebraska Student Union lounge. My roommate Bob Winkler (above) and I stacked blocks of scrap wood and invited others to do the same.
This was what an art student with lots of zeal did when he was out on his own. The memories do not stop there.
Our dorm room on the second floor of Love Hall became an art project itself. From the paper strips that hung from the ceiling (right) to the flattened refrigerator cardboard boxes
boxes I dragged from off-campus and lined our walls (left). To draw and build on, of course. Obviously influenced from the "basement wall" I grew up with in my parents' house. (See a clip of their wall, click HERE.)
Friday nights when students were out visiting their friends on our floor, Bob and I talked fellow students to enter our room to see the hung ceiling and watch their response to it. That same year 1975, I had found a way to pull the paint layer out from our room wall. Very carefully I stuffed portions with small piece of tissue and resealed it (left and below).
Here is another memory about Centennial. That same year I organized, scripted and filmed a 40 minute super-8 movie as an independent study project at Centennial. The story followed a traveling salesman as he went from room-to-room with his suitcase. Each room presented a different odd scene. He met a scuba diver, a troupe of human flowers, a foosball champion, and many others. Fellow students in Centennial were asked for their ideas and many acted in the film. All the scenes were shot within Centennial. My advisor gave me full credit for it.
Centennial was in the (north) Love Hall end of the John G. Neihardt Residential Center. I remember setting up a number of "peoples concerts" to showcase the musical talent from our dorm and the Neihardt complex. I borrowed sound equipment from the Nebraska Union. There was a concert held in the Neihardt snackbar in the basement of our dorm, and one in the lounge of Raymond Hall, because it had a grand piano there. There was a concert also in the South Crib Room of the Nebraska Student Union. Here is a list of some of that talent. (I have added current available links where I could find them.) Jon Swift on guitar, Tim Roper 1 and 2 on violin, Jeff Binder 1 and 2, Ray Walden on piano, Jim Williams on piano, Rick Nelson on guitar, Tim Booth on piano, Vicky Thomson on piano, Dave Mosley on piano, Steve Petersen on guitar, Pat Collins on guitar, Brian Nyquist vocals, Mark Willy on piano, Bob Popek, Jeff Taebel 1 and 2 on guitar and 3, Paul Marxhausen 1 and 2 on guitar, myself on piano, and others.

One more memory.
(below) That's me kneeling on pages torn
from 
a discarded phone book. (In photo, Jon Swift is seated second from left, and Tim Roper seated just above my kneeling figure) In the darkened space Dan Swinarski (above, left) cast light on the dancing strips of paper for all to see.
With a free spirit and in total silence, the community watched and enjoyed the spontaneity of the event.
More works by Merill Garbus, click HERE
More about her, click HERE
http://www.tune-yards.com/
Watching her sing on stage reminds me of my second year in college.
Being an art student I put together and pulled off a few "free spirited events."
The year was 1975. I was enrolled in the Centennial Educational Program, while at the University of Nebraska, in Lincoln.
One Saturday morning I staged an impromtu happening in the Nebraska Student Union lounge. My roommate Bob Winkler (above) and I stacked blocks of scrap wood and invited others to do the same.
This was what an art student with lots of zeal did when he was out on his own. The memories do not stop there.
Our dorm room on the second floor of Love Hall became an art project itself. From the paper strips that hung from the ceiling (right) to the flattened refrigerator cardboard boxes
boxes I dragged from off-campus and lined our walls (left). To draw and build on, of course. Obviously influenced from the "basement wall" I grew up with in my parents' house. (See a clip of their wall, click HERE.)
Friday nights when students were out visiting their friends on our floor, Bob and I talked fellow students to enter our room to see the hung ceiling and watch their response to it. That same year 1975, I had found a way to pull the paint layer out from our room wall. Very carefully I stuffed portions with small piece of tissue and resealed it (left and below).
Here is another memory about Centennial. That same year I organized, scripted and filmed a 40 minute super-8 movie as an independent study project at Centennial. The story followed a traveling salesman as he went from room-to-room with his suitcase. Each room presented a different odd scene. He met a scuba diver, a troupe of human flowers, a foosball champion, and many others. Fellow students in Centennial were asked for their ideas and many acted in the film. All the scenes were shot within Centennial. My advisor gave me full credit for it.
Centennial was in the (north) Love Hall end of the John G. Neihardt Residential Center. I remember setting up a number of "peoples concerts" to showcase the musical talent from our dorm and the Neihardt complex. I borrowed sound equipment from the Nebraska Union. There was a concert held in the Neihardt snackbar in the basement of our dorm, and one in the lounge of Raymond Hall, because it had a grand piano there. There was a concert also in the South Crib Room of the Nebraska Student Union. Here is a list of some of that talent. (I have added current available links where I could find them.) Jon Swift on guitar, Tim Roper 1 and 2 on violin, Jeff Binder 1 and 2, Ray Walden on piano, Jim Williams on piano, Rick Nelson on guitar, Tim Booth on piano, Vicky Thomson on piano, Dave Mosley on piano, Steve Petersen on guitar, Pat Collins on guitar, Brian Nyquist vocals, Mark Willy on piano, Bob Popek, Jeff Taebel 1 and 2 on guitar and 3, Paul Marxhausen 1 and 2 on guitar, myself on piano, and others.
One more memory.
(below) That's me kneeling on pages torn
a discarded phone book. (In photo, Jon Swift is seated second from left, and Tim Roper seated just above my kneeling figure) In the darkened space Dan Swinarski (above, left) cast light on the dancing strips of paper for all to see.
With a free spirit and in total silence, the community watched and enjoyed the spontaneity of the event.
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