The month of May has been rainy in Carroll County, Missouri. I only go out to the bluff creek area when the gravel roads are dry. Right after a thunder shower, the areas I like to venture into are problematic. Too muddy for driving. Not worth my time. May 23 was dry.
He woke me up early Monday morning like I requested Sunday night. Thank you, Jesus. Out the door by 7:30 AM. Painted from 7:45 - 10 am. Ate sack sandwiches I had packed. Drove home and napped. Here is the progression of that work.
Two minutes.Light colored paint sketched across the canvas.
Way high tree key.
Nine minutes. Attention to sunrise light on sky, sunburst thru leaves. Shows the process.
Log, sandbar rocks, right shale wall, plants, patterns, lower left foreground. No prelim sketch. Work every area. Learn by doing. Evaluate later. That is plein air. Do better next time around.
Doing areas: the shadows on bottom of pool - light on roots on bank - foreground of blonde grass. But the piece lacks composition, lacks something. 4:28 pm end.
no title, 16 x 20 inch cradled panel, Feb.19, 2016
Elementary art teacher wife advises husband artist: "You are looking too
much. You're trying to figure it out. You need to do the work, do the
work, do the work, do the work, do the work."
She's right. Stop looking, set it up and do the work.
10:30 drive
11:30 start 16 x 20 windy dressed fine. no problem. sunny then overcast. just fine.
no title, 16 x 20 inch cradled panel, varnished, Feb.18, 2016
3:00 end 3:45 home 72 degrees varnished piece
I kept at it even though the light was changing. The piece has too much information. Lots of detail was processed. The end result got dark in the mid-range. I'm trying to guess ahead.
The good news is that I did work today. And will probably get a handle on it if I keep at it.
Tuesday afternoon, February 9th, I had completed 40 rounds on the indoor walking track at the fitness center. This was a new record for me. I hoped to build up strength in my right ankle, now that the wound was completely healed. Workouts leave my body sore and I move slower the next day. Tomorrow I'd go easy on myself.
Something the weatherman said got me thinking Tuesday night. He was saying a band of snow would fall between 10 am and noon Wednesday morning. It would be an opportunity to paint outdoors with snow on the ground. Ha. Could I rouse myself and go paint IN THE SNOW? What could that be like? I had read of others doing that. I asked the Lord as I lay in bed: if I was supposed to do this, would he wake me up in time, give me the energy to get around. Closing the whispers in Jesus' name. He's done this before. Leaving it in His hands, drifting off to sleep.
Before the alarm sounded I was up dressing, packed the hot water thermos, pajamas under jeans, t-shirt layers, two long-sleeved shirts, moving the easel from the Ford pickup to the Lumina car. I trusted the traction of the car better than the truck when it came to driving on snow, panels ready, even took the 30 by 40 canvas just in case. Packed the sandwich and carrots, ate the yogurt and drank the morning cocoa.
The snow had begun falling earlier than expected. At this pace what started at 8 am and would end around 10 am. Hmm. It was twenty degrees out. Would this experiment even work? By 8:50 I was on the road, snow was fluffy and nothing was sticking. Good. Drove cautiously on the hilly road off 24 highway. Braking was good. When I arrived, I checked every place I had left a stick along the road, then chose a scene.
I decided to store the tube paints in a baggy-- inside my coat next to my belly -- to keep it warm.
Two minutes. Putting out acrylic tube paint and storing back in my coat.
One minute. Location I chose to paint, next.
Imagine laying down a swath of butter. Then trying to lay a swath of another color on top of it.
Normally tube acrylic paint dries quickly, as soon as it is brushed on the panel. At 20 degrees the paint does not dry at all. It remains moist. The portion I put down slid when I tried to add another layer with the brush. What???? My mind raced. This was not good. What could I do? I stopped. Took a breath. If it was at all possible I wanted to make this work. How??
Six minutes. Double click on images to enlarge. I put hot water from the thermos in my water bucket. This gave me water to mix paints with. Barely dabbing was the answer.
(the flecks on the video remind me that the Lord who got me up early was with me. The experiment progressed and concluded well. I was amazed how well it looked when it was all done ! ! ! ! ! ! ! ! ! ! ! ! ! ! !)
With the brush handle the signature was scratched through the wet paint.
(Later I thought about the steps the made this composition work. My wife the elementary art teacher told me she saw depth in the work. She was right, it was there. I don't recall how it got there.)
When I was done I stepped back to look at the whole thing. Wow! I laid the wet panel flat in the car. With the car heater on the wet layers built dried.
Completed panel beside location on County Road 290, in Carroll County, Missouri. When I got home later that day I varnished the work, and that is what it looked like on Thursday, next.
Bluff Creek No. 2 Snow,
16 x 20 inch cradled panel,
Feb 10, 2016
For that work I began to paint at 9:20 am and ended at 11:30 am.
The snow shower was brief. It had stopped. I moved the equipment and easel to the second location and set out a ready panel, next.
The scene had snow laying on the top of logs.
Six minutes. Painting second scene.
Bluff Creek No.3 Snow,
11.75 by 11.75 inch cradled panel
Feb 10, 2016
That second work began at 12:15 pm and ended at 1:40 pm.
By the time I left the temperature had climbed, there was melted snow on highway, and residual snow on the gravel road. I thanked the Lord for his kindness.
"Me at the Instruments - Stearing My Underwater Vessel- Complete With Sonar Equipment And Air Tanks" by Karl Marxhausen. Pencil and Wax Crayons on Paper, March 3, 1990, Norwalk, California
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I'LL TELL YOU SOMETHING ABOUT MY HUSBAND KARL.
WHEN HE JOURNALS AND COLORS AND DRAWS ANDWRITES ----- WHEREVER HE IS ------IT TAKES HIM AWAY. IT MEANS SO MUCH TO HIM. REMEMBERING GOD'S PRESENCE.
JAN MARXHAUSEN
Nelson Atkins Print Society Presentation: Intersections With Fred Geary - Karl Marxhausen
THIS IS THE SATISFACTION OF RESEARCH. +++ WHAT THE LORD BRINGS YOUR WAY FOR YOU TO FIND +++ AND THE ENERGY TO PURSUE THE DOORS HE OPENS.+++ BLESSED BY HIS NAME. +++ JOEL MARTY
IT WAS A YELO CAR. A BRIGHT YELO CAR. SEVERAL OF THEM. AS THEY PASSED BY, I COUNTED THEM. THEN AN IMPRESSION CAME - I WAS NOT ALONE. THAT I WOULD FIND MY DESTINATION. AND I DID. BUT IT WAS THE LARGE "K" ON THE SIDE OF THE RED BARN WITH THE WHITE CIRCLE AROUND IT THAT MADE ME CRY. MY FIRST NAME STARTS WITH A "K." AS WE PULLED INTO OHIO THERE WERE THREE OVERPASSES WE DROVE UNDER. NOT A RUSTY BROWN OR DINGY GREY. ALL THREE WERE BRIGHT CANARY "IN-YOUR-FACE" YELLOW!!! THREE IS MY FAVORITE NUMBER. HOW TO EXPLAIN IT. FOR ME, IT WAS A PRESENCE BESIDE ME, REMINDING ME I WAS BEING THOUGHT OF, I WAS NOT ALONE. OFTEN ABSENT FROM MY THINKING, SURPRISES COME. MY ANXIOUSNESS IS TAKEN AWAY. CALM SETTLES IN WHEN HIS KINDNESS COMES. karl marxhausen
"ABOUT YOUR DAD: THE BLESSING THAT CAME INTO HIS LIFE WAS CONCORDIA. THIS SETTING HELPED HIM BECOME THE PERSON HE "BECAME."AND BY SETTING I MEAN THE COLLEGE AND THE CITY OF SEWARD. NO QUESTION ABOUT IT. IT WAS THE PERFECT SPOT FOR HIM."
JACK DUENSING, SEWARD, NE.
Followers
owner of "Sundown" from Seward, NE
Welcome. In retirement my art shows up as words typed on the page. The world of Harry Alfred Fowler fascinates me. My town is a rural farm community. Fowler worked in Kansas City. He brought art folks together. I've been pursuing discovery since 2011. Like Fowler I am gleaning from many sources to share the delightful nuggets that appeal to me. I too have organized, self-published, done art, learned, tried it out. New ground, new discoveries, these fuel my dreams. A book of my own with drawings. In the meantime there are dishes to wash and daily routines to follow. Thanks to friends around the globe who have been a resource to me. History ties a name to a place and a time and then is published and used by the rest.
"SOUNDS LIKE GOD HAS BLESSED YOU WITH YOUR ART. YOU ARE AN INSPIRATION TO MANY!!"SANDY QUICK, KANSAS CITY, MISSOURI
"MAKES PERFECT SENSE TO ME, KARL. I UNDERSTAND THE PRIORITIES OF KIDS. YOUR DAD WAS JUST A "REGULAR DAD" EXCEPT THAT HE TOUCHED A LOT OF PEOPLE'S LIVES, AND THAT MADE HIM EXTRAORDINARY!!!" MATTHEW G. HANSEN, LINCOLN CAPITOL PRESERVATION ARCHITECT
"ALWAYS ENJOY YOUR BLOG, KARL --- YOUR FUN STORIES, CREATIVE WORKS, AND PHILOSOPHIES ON LIFE!! THANKS!" LOIS MEYER VOELTZ
"HOW COOL IS THAT KARL!! CONGRATULATIONS AND KEEP AT IT - YOU ARE DOING WONDERFUL WONDERFUL WORK."RICHARD HAMILTON, KANSAS CITY, MO
"KARL PAINTS WITH STRONG STROKES - SOMETIMES ALMOST SLASHES. HE SAYS IT ALL, FEARLESSLY, IN A FEW WELL CHOSEN WORDS FROM HIS PALETTE. HIS SUBJECTS ARE SIMPLE EVERYDAY THINGS THAT HOLD THE GREAT PLEASURES." PHIL CHADWICK, PAINTER, ONTARIO
"BRAVO KARL. YOUR LANDSCAPES ARE REALLY NICE." ELIZABETH KRUSE, PASTEL ARTIST, MISSOURI
"IT IS GREAT TO SEE THE WONDERFUL ENERGY OF YOUR PLEIN AIR PAINTINGS. I LOVE THE LOOSENESS THAT YOU ARE GETTING AND REALLY FIND EACH ONE A VISUAL TREAT."SUSAN BRASCH, painter,NEBRASKA