She described the intimacy of working. Sitting on the floor with her painting in her lap, taking the time to do it. "A very meditative process," she said.
As she continued about her ideas, she kept coming back to the layers, the process. The words that came to my mind were TEDIOUS and INTENTIONAL and ENGAGED and IMMERSED.
Mylar plastic sheets with the slight brushed on layer of transparent acrylic paint. Something for the watercolor strokes to rest upon.
Outline drawings of people. Her pushing a threaded needle through the layers of plastic. "piercing the layers with thread" for the six foot tall creation.
Gentle mark making with pencils shaved careful to a point for her work "Ideas Of Rightness And Wrongness." How she had trained to apply slight pressure in those graphite drawings.
Ambreen's talk on Saturday left me feeling KINDRED to those important steps of making - what I call lemteyoso.
I told her afterwards that "all the time you put into the producing the work will not be appreciated by the audience. But I am glad you told us about the steps and their importance to you." I shook her hand and blessed her. She smiled. And gave me her signature.
Collages for me. Arabic letters and resin for her.
me in bottle
being next to another shape
Pakistani artist Ambreen Butt website: http://www.ambreenbutt.com/
Ambreen's presentation in Kansas City. http://spotlightkcprint.blogspot.com/2016/12/my-divergence-is-my-convergence-ambreen.html