Thick fallen trunks on hill. The shadow beneath, along side. The rotten stump.
Added Sap Green to palette this time. Blue painters tape secures paper to the back board.
Seven minutes.
Later I varnished it, next.
no title, 12 x 9 acrylic on 90 lb. water color paper, varnished, March 7, 2016.
Easel moved closer to hillside. Green ferns are emerging. Focused on exposed tree roots, the shadows beneath, and patches of fresh moss. What can I make from this?
Seven minutes.
Double click to enlarge.
Later I varnish it, next.
no title, 12 x 9 acrylic on 90 lb. water color paper, varnished, March 7, 2016.
Elementary art teacher wife advises husband artist: "You are looking too
much. You're trying to figure it out. You need to do the work, do the
work, do the work, do the work, do the work."
She's right. Stop looking, set it up and do the work.
10:30 drive
11:30 start 16 x 20 windy dressed fine. no problem. sunny then overcast. just fine.
no title, 16 x 20 inch cradled panel, varnished, Feb.18, 2016
3:00 end 3:45 home 72 degrees varnished piece
I kept at it even though the light was changing. The piece has too much information. Lots of detail was processed. The end result got dark in the mid-range. I'm trying to guess ahead.
The good news is that I did work today. And will probably get a handle on it if I keep at it.
No snow, supposed to warm up, I am looking around, taking the scenery in. The light on a fallen branch, the way the grass is lit up, and tears come. These moments of beauty. Drinking it in.
A silver curving tree root curls out of a dirt embankment. It is sculptural.
Walking the winding gravel, looking, mesmerized by all the elements, the pattern of stones, the vibrant blonde grass. Overwhelmed by the details. The magnitude of his handiwork, the Creator astounds.
I caught myself, wait a minute, is this where I want my foot? I
am down off the road in the blonde grass, haggling with uneven footing,
trying to shore up the easel legs so it is level. HELLO?!!! UNEVEN GROUND!!! The memories from a paint out in Marceline come rushing back to me. How I stood a very long time on slanted ground while doing a painting, and the outcome was that my ankle got sore even though I was wearing heavy boots. Hmmm. What am I getting myself into here? This might do some damage. Decide to scrap the idea. Moved equipment back up on
the stable even road. The Lord gave you THAT ROAD to work from!!!
Sack lunch. Set up easel. 12:55 start 2:30 end
no title, 10 x 8, acrylic on cradled panel, varnished, Feb 17, 2016
The little board speckling patterns reminded me of cow watercolor I concocted from reference photos in 2009, next.
Three days ago I did well painting outside in the snow. Now it was Saturday night, Feb 13th, and I was driving Jan home from Kansas City. It was clear to me I had seen the last snow, right? When I got home I checked the Internet and discovered snow showers were to come from the east Sunday morning. Hmm. Driving back and forth from The City (Kansas City) has sapped my energy. I usually gave myself a day to recuperate before doing work that required lots of thinking. Hmm. The late evening idea of painting early the next morning has me thinking about it. Soon I have had my bedtime cocoa and have asked the Lord to get me ready. Please get me up in time. The weatherman said the dusting would come at 6 am and finish by 9 am. Another request came before the Lord: What could I find that was tall enough to put the camera on and still fit in the car? Leaving my glasses on the nightstand, I rolled out of bed and wandered through the house. The upside down stool in the kitchen caught my eye. Good. Thank you, Lord. Another request for Him: And help me remember the cleaned brushes on the table, Jesus. Thank you! zzzzzzzzzzzzzzzzzz
Sunday, Feb. 14th, at five a.m. I was up, no snow on the ground. Hmm. Got ready anyway. 5:45 it was 18 degrees out and snow pellets were coming down. 6:15 loaded car along with the cleaned brushes from the table, started car heater. 6:40 headed out, full from breakfast. 7:00 arrived, checked the markers by the road.
By 8:02 the scene was set up, there was a 16 by 20 panel on the easel. And then, the thought came to me-- why not do this. Soon the 30 by 40 inch canvas was strapped to the easel. The contortionist painter reached behind the canvas and used bungee cords to lash the wooden canvas supports to the side of the easel legs. Whew.
Used hot water from the thermos for the water bucket. And discovered that tube paint mixed on the palette with the brush became slushy crystals. Oooo. And yes, the disappointment of finding my spritz water bottle was F-R-O-Z-E-N. Ha. Yes, yes.
The remedy was warm water on brush teased the slush crystals back to a usable state. Each time you mixed or loaded the brush with paint. It worked.
Twenty-eight minutes. Stages, next.
I was interested in snow on top of a short wide log, a leaning hollow trunk on the far side, snow on melting ice, the stream bubbling underneath, two branches at my feet, bank trunks on the other side. All this reaching, drawing with paint, hurry, focus, paint, look down, mix colors -- uh oh -- the snow is evaporating before my eyes, hurry hurry, focus, paint.
A log, next.
Lean hollow trunk on far side
Melting snow on ice, and two branches at my feet
At 10:30 AM I set canvas carefully in the trunk to set flat. Hope it can dry in the trunk. Went to look at two scenes. 11:00 painting is not drying. Carefully set painting flat inside car with heater on, for paint to set up and dry. Eat half of sandwich, heat up my boots in car. 11:21 lifted painting out of car. Set up on easel. Secure bungee cords.
The snow was evaporating on the creek bed. Mutter, mutter. 12:21 pm end. 12:38 load car, head home. 1:00 pm home. Download photos and videos. Painting hung on living room wall.
"Me at the Instruments - Stearing My Underwater Vessel- Complete With Sonar Equipment And Air Tanks" by Karl Marxhausen. Pencil and Wax Crayons on Paper, March 3, 1990, Norwalk, California
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I'LL TELL YOU SOMETHING ABOUT MY HUSBAND KARL.
WHEN HE JOURNALS AND COLORS AND DRAWS ANDWRITES ----- WHEREVER HE IS ------IT TAKES HIM AWAY. IT MEANS SO MUCH TO HIM. REMEMBERING GOD'S PRESENCE.
JAN MARXHAUSEN
Nelson Atkins Print Society Presentation: Intersections With Fred Geary - Karl Marxhausen
THIS IS THE SATISFACTION OF RESEARCH. +++ WHAT THE LORD BRINGS YOUR WAY FOR YOU TO FIND +++ AND THE ENERGY TO PURSUE THE DOORS HE OPENS.+++ BLESSED BY HIS NAME. +++ JOEL MARTY
IT WAS A YELO CAR. A BRIGHT YELO CAR. SEVERAL OF THEM. AS THEY PASSED BY, I COUNTED THEM. THEN AN IMPRESSION CAME - I WAS NOT ALONE. THAT I WOULD FIND MY DESTINATION. AND I DID. BUT IT WAS THE LARGE "K" ON THE SIDE OF THE RED BARN WITH THE WHITE CIRCLE AROUND IT THAT MADE ME CRY. MY FIRST NAME STARTS WITH A "K." AS WE PULLED INTO OHIO THERE WERE THREE OVERPASSES WE DROVE UNDER. NOT A RUSTY BROWN OR DINGY GREY. ALL THREE WERE BRIGHT CANARY "IN-YOUR-FACE" YELLOW!!! THREE IS MY FAVORITE NUMBER. HOW TO EXPLAIN IT. FOR ME, IT WAS A PRESENCE BESIDE ME, REMINDING ME I WAS BEING THOUGHT OF, I WAS NOT ALONE. OFTEN ABSENT FROM MY THINKING, SURPRISES COME. MY ANXIOUSNESS IS TAKEN AWAY. CALM SETTLES IN WHEN HIS KINDNESS COMES. karl marxhausen
"ABOUT YOUR DAD: THE BLESSING THAT CAME INTO HIS LIFE WAS CONCORDIA. THIS SETTING HELPED HIM BECOME THE PERSON HE "BECAME."AND BY SETTING I MEAN THE COLLEGE AND THE CITY OF SEWARD. NO QUESTION ABOUT IT. IT WAS THE PERFECT SPOT FOR HIM."
JACK DUENSING, SEWARD, NE.
Followers
owner of "Sundown" from Seward, NE
Welcome. In retirement my art shows up as words typed on the page. The world of Harry Alfred Fowler fascinates me. My town is a rural farm community. Fowler worked in Kansas City. He brought art folks together. I've been pursuing discovery since 2011. Like Fowler I am gleaning from many sources to share the delightful nuggets that appeal to me. I too have organized, self-published, done art, learned, tried it out. New ground, new discoveries, these fuel my dreams. A book of my own with drawings. In the meantime there are dishes to wash and daily routines to follow. Thanks to friends around the globe who have been a resource to me. History ties a name to a place and a time and then is published and used by the rest.
"SOUNDS LIKE GOD HAS BLESSED YOU WITH YOUR ART. YOU ARE AN INSPIRATION TO MANY!!"SANDY QUICK, KANSAS CITY, MISSOURI
"MAKES PERFECT SENSE TO ME, KARL. I UNDERSTAND THE PRIORITIES OF KIDS. YOUR DAD WAS JUST A "REGULAR DAD" EXCEPT THAT HE TOUCHED A LOT OF PEOPLE'S LIVES, AND THAT MADE HIM EXTRAORDINARY!!!" MATTHEW G. HANSEN, LINCOLN CAPITOL PRESERVATION ARCHITECT
"ALWAYS ENJOY YOUR BLOG, KARL --- YOUR FUN STORIES, CREATIVE WORKS, AND PHILOSOPHIES ON LIFE!! THANKS!" LOIS MEYER VOELTZ
"HOW COOL IS THAT KARL!! CONGRATULATIONS AND KEEP AT IT - YOU ARE DOING WONDERFUL WONDERFUL WORK."RICHARD HAMILTON, KANSAS CITY, MO
"KARL PAINTS WITH STRONG STROKES - SOMETIMES ALMOST SLASHES. HE SAYS IT ALL, FEARLESSLY, IN A FEW WELL CHOSEN WORDS FROM HIS PALETTE. HIS SUBJECTS ARE SIMPLE EVERYDAY THINGS THAT HOLD THE GREAT PLEASURES." PHIL CHADWICK, PAINTER, ONTARIO
"BRAVO KARL. YOUR LANDSCAPES ARE REALLY NICE." ELIZABETH KRUSE, PASTEL ARTIST, MISSOURI
"IT IS GREAT TO SEE THE WONDERFUL ENERGY OF YOUR PLEIN AIR PAINTINGS. I LOVE THE LOOSENESS THAT YOU ARE GETTING AND REALLY FIND EACH ONE A VISUAL TREAT."SUSAN BRASCH, painter,NEBRASKA