On display now at Burkholder Project, 719 P Street, Lincoln, Nebraska.
Contact Anne Burkholder @ anburkholder@earthlink.net
All paintings were begun outdoors en plein air.
Double click on images to see enlarged.
Study of Trees and Sky,
acrylic on canvas
panel in 10" x 12" frame,
image size 8" x 10"
signature lower left, $ 375
Pond on Farm #2, Schnares,
acrylic on panel in
11" x 14" frame,
image size 7" x 10"
signature lower right, $ 375
Field and Bluff,
acrylic on 11" x 14" cradled
panel,
signature lower right, $ 375
Tree Trunks, Woodwards,
acrylic on watercolor paper in 11" x14" frame,
image size 9" x 12",
signature lower right, $ 375
Sunrise,
Near Old 24,
acrylic on watercolor paper in 11" x14" frame,
image size 9" x 12",
signature lower right, $ 375
Study Of Clouds,
acrylic on watercolor paper in 11" x14" frame,
image size 9" x 12",
signature lower right, $ 375
Change In Sky,
acrylic on watercolor paper in 11" x14" frame,
image size 9" x 12",
signature lower right, $ 375
Tree Trunks And Meadow, Woodwards,
acrylic on watercolor paper in 11" x14" frame,
image size 9" x 12",
signature lower right, $ 375
Study Of Tall Tree,
12" x 16", acrylic on panel
signature lower right, $ 375
Pond
On Farm # I,
10" x 10", acrylic on panel,
signature on lower right, $ 375
Cloud
and Field,
24" x 18", acrylic on canvas,
signature lower left, $ 375
Waterway,
acrylic on 16" x 20" cradled panel,
signature lower left, $ 375
Sunrise
near Heins Lake,
acrylic on 16" x 20" cradled panel,
signature lower right, $ 375
Sunrise,
12" x 16",
acrylic on panel,
signature on lower right, $ 375
River
Ridge, 18" x 24",
acrylic on canvas,
signature lower left, $ 375
Water’s
Edge,
24" x 24", acrylic on canvas,
signature lower right, $ 375
Artist Statement
Prime
considerations were given to “side-to-side” and “down-to-up” elements in each
painting, as it was first painted outdoors. These excursions took place outside Carrollton
city limits in Missouri during June and July of 2013. Thanks to Miles Conner at
Lincoln Lakes, Chris Woodward at Woodward Ranch, Roger and Marilyn Schnare on
their farm, and Miles Carter at Moss Creek for granting permission and access
to these properties.
Karl Marxhausen
August 2, 2013
A Visual Record website
http://karl.marxhausen.net
email karl@marxhausen.net
phone 660-329-0242
Carrollton,
Missouri, USA
Karl,
ReplyDeleteYour work has a consistent feel over all with some variation. Consistency in color palette - in general. From what I can discern from iPhone, a bit of 'rounded' Bentonism. Simplified realism but your clouds are more abstracted.
A favorite? Pond on Farm #1 - I am the granddaughter of a Missouri sharecropper.
Thanks for sharing your works.
Robin
I saw the Benton look in the clouds. Perhaps it is THAT quality that comes from "trying to make it work on the spot." Those clouds were like drawing the front legs of a horse as it runs by you, and then drawing the back legs of the next horse that runs by you.
DeleteBeautiful, Karl. I love The Sunrise near old 24
ReplyDeleteHi Karl,
ReplyDeleteI just visited your journal. The paintings in the show in Nebraska have a vivid sense of color and atmosphere. My two favorite paintings are Sunrise Near Old 24 and Sunrise near Heins Lake. You've captured that humid early morning air very nicely. I hope the show is well received.
All the best,
Doug
Hi Doug,
DeleteThank you for your analysis, because after all YOU HAVE been out there wrestling with the same elements.
Hi Karl,
ReplyDeleteThank you for showing me your paintings. It is always interesting to see how another artist approaches a subject. Keep up the good work. Jean
Pond on Farm #1 has my vote. Do you know about the upcoming "paint out" scheduled in Marceline next month?
ReplyDeletehttp://www.nomoart.com/NOMO/NOMO_events_files/Paint%20out%20OPA%202013.pdf
Cheers, Pat
They are all nice in their own way. Water's Edge might be my favorite. There is a feeling of Fairfield Porter in many of them. And maybe a little Alex Katz.
ReplyDeleteBill
Bill,
DeleteSaid like a painter. Another friend of mine said some of my work looked like Fairfield Porter and Alex Katz. and a little bit like Karl Marxhausen, right?
Thanks for liking Water's Edge.
Very much like Karl Marxhausen. Bringing up those other painters was meant as a compliment. I hope you took it that way but totally understand if you didn't. It's hard to know what to say. That's why we paint. It's a different way to communicate than words.
DeleteWonderful stuff!!
ReplyDelete